Hardcover
$ 60,00 [] | £ 39,99 []

Basquiat first came to prominence when he collaborated with Al Diaz to spray-paint enigmatic statements under the pseudonym SAMO©. He went on to work on collages, Xerox art, postcards, performances, and music before establishing his reputation as one of the most important painters of his generation. Accompanying a major exhibition at the Barbican Art Gallery, this book opens with introductory essays from the curators, which place his practice in a wider art historical context and look at his career through the lens of performance. Six thematic chapters offer new research, with essays from poet Christian Campbell on SAMO©; curator Carlo McCormick on New York / New Wave; writer Glenn O’Brien on the downtown scene; academic Jordana Moore Saggese on Basquiat’s relationship to film and television; and music scholar Francesco Martinelli on Basquiat’s obsession with jazz. This insightful new survey also features extended captions, rare archival material, and extensive photography, demonstrating how Basquiat’s legacy remains more powerful and relevant than ever today.


Hardcover, 296 pages, 24,0 x 28,0 cm, 259 color illustrations, 53 b/w illustrations
ISBN: 978-3-7913-5636-5
Published:
US Oktober 19, 2017
UK Oktober 19, 2017
Status of delivery: This title is available.

Vita

Dieter Buchhart

Dieter Buchhart is an art critic for Kunstforum International and the author of Keith Haring: The Political Line (DelMonico Books·Prestel).

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